Kategorie: Projekt

ein musikalisches Potpourri – Work in Progress

von Gotthold Ephraim Lessing


Lessings Plädoyer für religiöse Toleranz liest sich heute, in einer Zeit der reaktionären, fundamentalistischen Abgrenzung und des Terrors, wie ein Märchen aus längst vergangener Zeit. Mit Menschenliebe, Vernunft und Witz fordert „Nathan der Weise“ den interkulturellen Dialog zwischen Christentum, Islam und Judentum. Und damit ist das Stück so aktuell wie nie.

Regie:
Roman Kohnle

Neue Fassung:
Ingeborg Meyer, Künstlerische Leitung


Es spielen:
Nathan – Tobias Lange
Recha – Alexandra Kuzmanović
Daja – Elvira Enusiahu
Saladin – Justin Fischer
Tempelherr – Max Düppenbecker
Klosterbruder – Lewin Masuri
Al Hafi – Simon Schüppen
Patriarch – Ira Tinkloh
Sitha – Lynn Küpper


@Fotos: Kurt Steinle

„Jede Heldin der Station lebt mit ihrem Wunsch”
Mit ehrenamtlichen Engagement hat sich die Theaterschule Aachen e.V.
mit Sitz in der Barockfabrik aufgemacht und Kontakte zu ukrainischen Flüchtlingen geknüpft.
Ziel war es, den ukrainischen Flüchtlingen schöne Momente zu vermitteln, um so das entstandene Leid etwas zu mildern.
Ganz besonders ist die Wiederaufnahme des Theaterstücks „The Station“ von Olexandr Viter, welches erstmals in der Ukraine aufgeführt wurde.
Durch die Kriegsgeschehnisse in der Ukraine wurden die drei Schauspielerinnen getrennt und befinden sich nun in Aachen, London und Kiew. Mit Unterstützung der Kunststiftung NRW und des Kulturbetriebs der Stadt Aachen wird es nun gelingen die SchauspielerInnen und die Regisseurin in Aachen zur Wiederaufnahme des Stücks „The Station“ zusammenzubringen.

Die Protagonisten werden vom 28. August bis 4. September 2022 in Aachen sein.

Das Theaterstück in zwei Akten rankt um Leben, Wünsche, Träume und Ängste und den Weg in die Zukunft.

Presserezension

Copyright: SOLOWAY GIRLS THEATER, KIEW

The Station
„Jede Heldin der Station lebt mit Ihrem Wunsch“

Erstaufführung:
SoloWay Girls Theater, Kiew

Autor:
Olexander Viter

Regie:
Oleksandra Babenko

Choreographie:
Margarita Vasilejko

Darstellerinnen:
Ievgeniia Ivanova (Ira)
Oksana Morozova(Tanya)
Dasha Glazkova (Olya)




Olexander Viter 
Director, playwright, scriptwriter, actor. He was born in Kyiv in 1972, graduated from the Kyiv Academy of Circus and Variety Arts (actor of the conversational genre) and Ivan Karpenko-Karyi Kyiv National University of Theater (director). He staged more than 30 theater plays in Kyiv, Luhansk, Odesa, Chernivtsi, Shtip (Macedonia). The co-founder of the Kyiv Independent theater “MIST” (“МІСТ”, tr. Bridge). Oleksandr Viter worked as a lead director of the radio channel “Kultura” (“Культура”, tr. Culture). He acted in more than 40 roles in plays, movies and television films, TV shows. Oleksandr Viter taught at the theater studios, the “MIST” theater school, Kyiv-Mohyla Academy, National Academy of Managerial Staff of Culture and Arts, the manager of the literature quarters of the Les Kurbas National Center of Theater Arts.

The author of poems, radio, stage, film and television scripts, stage adaptations and plays. His works were published in the “Dnipro” magazine, anthologies “Potoibich pausy” (“On the other side of the pause), “13 suchasnykh ukrainskykh pies” («13 modern Ukrainian plays), “Maidan. Do i pislia” (Maidan. Before and After), “Dramovychok”, “Labyrynt iz Krygy ta Vohniu” (The Labyrynths of Ice and Fire), “Insha Drama” (Another Drama), “Chaso-Prostir” (Time-Space), the almanac “Kurbasivski Chytannia” («Курбасівські читання», tr. Kurbas Readings). The Turkish translation of the play “Stantsia” (“Станція”, tr. Station) was published in Istanbul (Turkey). His works were translated and published in France, Poland, Serbia, Armenia, Macedonia, the USA. His plays were performed in Kyiv, Lviv, Kharkiv, Dnipro, Mariupol, Kropyvnytskii, Mykolaiv, Ivano-Frankivsk, and other cities in Ukraine, as well as abroad in Belorus, Poland, Georgia, Estonia, Slovakia, Greece, Turkey, Israel. Stage readings in France, Serbia, the USA. Co-author of the feature film “Sentymentalne poliuvannia za tinniu” («Сентиментальне полювання за тінню», tr. Symbolic Hunting After a Shadow) and a 10 episode film “Zaruchnyky Zemli i Neba” («Заручники землі і неба», tr. The Hostages of Earth and Skies) (Ukraine-Iraq).

Laureate and prizewinner of festivals and contests. He has received the prize of the Biennale of relevant arts, the grand-prix of the “Koronatsia Slova” («Коронація слова», tr. The Coronation of Word). His plays are included in the best works catalogues of the European Theater Convention. They have won in the contest of the theater translations “Evrodrama” (Eurodrama) of the theater center “The House of Europe and the East” (Paris, France).

Oleksandra Babenko is a musician and theatre director, founder and creative director of the SoloWay Theater. She has a complete higher musical and theatre education: In 2010 completed the full course of I.P.Kotliarevskyi Kharkiv National University of Arts obtained qualification choir conductor, lecturer of institute of higher education (master) In 2018 completed the full course of Kyiv National I.K. Karpenko-Karyi University of Theatre, Cinema and Television, Study Program Directing for Drama Theater (bachelor degree) In 2021 defended a thesis on specialty Musical Art and received a degree Candidate of science (comparable to the Academic Degree of Doctor of Philosophy) in I.P.Kotliarevskyi Kharkiv National University of Arts During the years of the theater’s existence (since 2013) she has staged more than 10 plays, which have been successfully staged in many cities of Ukraine (Kharkiv, Chernihiv, Kyiv, Odesa). Her performances have repeatedly won national and international competitions and festivals. She has achieved some success as a teacher. Many of her students entered music and theater schools (specializing pop vocal, dramatic theater actor) 

Ievgeniia Ivanova Actress of SolowayTheater, Kyiv, Ukraine
I was born in Odessa, Ukraine. At school I studied theater and played in plays all my childhood. Then I graduated from Kyiv National University of Culture and Arts. I am Master in International Tourism.
In 2017, I started acting at the SoloWayGirls Theater.
For the last three years we have staged 2 performances.
„Only between us“ based on Lajos Gavrono’s play „Only between us“, the main role of Olga and Nena. „Station“ based on the play by Alexander Viter, the role of Irina. Both performances are tragic comedies.
In 2018 and 2019 we took part in the international theater festivals JoyFest. Now I can’t imagine my life without theater. My hobby has become much more than just a hobby.
In 2019 I took courses in TV presenters and television advertising. I filmed for two advertising companies. I have also small experience in modeling.

Oksana Morozova Event manager, actress in theater «SolowayGirls»
My story how I tied my life with the theater, is not so important, most important that I can’t imagine my life without it. The theater grants a unique palette of emotions, you marvel at the performance in the hall, and a new life, if you play on the stage. I graduated from Kyiv National University, Karpenko-Kary Television Theater and I am a director of theater.

Dasha Glazkova 28 years old Actress in «SolowayGirls»
My name is Dasha Glazkova, I am 28 years old and I’m digital tragetolog. I was 23 years old when I came to the theater. I was thinking about what to do after work so as not to go home! I remembered that as a child I led all the school holidays, played in all the plays and I liked it. The idea came to start acting. The theater helped me accept myself. I saw myself from the side, my friends and relatives saw me differently. Bold. I now understand that it was very brave) to go on stage, to gather a full house! And not once

Premiere in der Klangbrücke im Alten Kurhaus

Fotos: © Andreas Herrmann

Die Geschichte zweier Häftlinge in einem totalitären Staat. Valentin, politischer Gefangener und Mitglied einer linksradikalen Gruppe, kämpft für seine Ideale. Molina, ein Mensch mit dem Wunsch nach einem Leben jenseits starrer Rollenbilder, sehnt sich nach der glitzernden Welt alter Filmdiven. Während draußen die Diktatur herrscht, entsteht in der Enge einer Gefängniszelle ein zartes Band zwischen zwei Menschen, die unterschiedlicher nicht sein könnten. Manuel Puig schildert staatlichen Terror und gewährt Einblicke in eine Welt, in der die Gewalt vieles auslöscht, nicht aber die Möglichkeit, zu träumen und zu fühlen. Ohne den klassischen Helden, den Revolutionär, zu schmälern, macht Puig deutlich, dass auch eine zweite, zutiefst menschliche Form von Heldentum möglich ist.